You are not going to die, I know I said I'd let you, but I can't.

Something about giving in without a fight felt wrong.

It’s natural to overlook and even sacrifice the things that belong to us most easily most gracefully. So here’s me asking you to please not make that mistake.

Besides being asked why I write about young characters, I am often asked how I write about young characters. How do I throw myself across the chasm of full adulthood to relive that period? I guess I don’t, really. Age is not so much a feature of your character, as the spot where you stand for a pretty fleeting time on the arc of your life.

She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing.

Forget Jack, I'm in love with the cold, dirt floor.

I hated motorcycles. I said to my mother, 'I'll never get a motorcycle.' And she said, 'You never know what you'll want when you are older.' After that, the thing that scared me was not so much the motorcycle itself, but that I could turn into a person who would want one. I was scared of the idea that I could become an entirely different person, a stranger to myself.