For me black is not dark, it's poetic. I don't think of gothic I think of classic - it's a big difference.

I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect. You can meet somebody in one of my jackets and it can all look a bit wrong, but also human and beautiful. Cutting nonchalance into a garment is difficult, because you can't just make an oversized or an asymmetric garment - it will look ugly. Making it look natural is delicate work. If it's too obvious, then it looks fake. Balancing the garment is a painstaking task, because you have to keep in mind how the clothes move.

Black is not sad... Black is poetic.

Who could imagine a poet wearing anything other than black?

I'm very aware of the influence I've had, and I'm very pleased with that, because it proves that my work was necessary, that people liked it, and that it was right for its time which is a big compliment. But of course, this means I now have to move on. If more people are doing what I'm doing, I have to evolve. I'm pushed toward a new direction, and I have to let myself be tempted, find out where I can go.

Those that think my clothes are androgynous also still believe that women should look like Barbie dolls. That's precisely the problem, the deep-rooted assumptions about what is feminine.

I work for men that I would love to meet, somebody who I could fall in love with, someone who intrigues me.