If what we want to do is promote reading and writing and publishing and making sure this is a business that keeps going - because it is a business! It's not just an art - then we have to take responsibility. I get sort of crazy and frothy when I think about this. It really matters.

I believe, in my better moments, that there is a plan and things go not the way we want them to but the way they should.

Anytime you write about priests or cops, they're hot-button professions.

[I remember going] to a hotel gym at six o'clock in the morning, and the television was on, and it's some drama in which two men have clearly kidnapped a woman. They're interrogating her, and they put a plastic bag over her head. They're suffocating her, and I'm thinking, It's six o'clock in the morning! Why does anybody need to see this? How can I find the off switch?

Time has a funny way of collapsing when you go back to a place you once loved. You find yourself thinking, I was kissed in that building, I climbed up that tree.

I love a large cast of characters. That's the way life is: it's flooded with people and we keep them all straight.

I think that people all grow up and have their same personalities, but you can say, "Oh, I can see the roots of this personality, which I didn't like, but then you grew up, and I can still see you as that person, but I do really like you now." Which is sort of how I feel about children - I mean, about children who I knew when I was a child and grew up with, and they're still my friends, and children that I know as children who I see growing up, and every year I like them more.