My novels are very much the same, as I think many people's novels are. No matter how hard I try to do otherwise, the books always wind up being "a group of strangers are thrown together by circumstance and form a society."

That is one thing I've learned, that it is possible to really understand things at certain points, and not be able to retain them, to be in utter confusion just a short while later. I used to think that once you really knew a thing, its truth would shine on forever. Now it's pretty obvious to me that more often than not the batteries fade, and sometimes what you knew even goes out with a bang when you try to call on it, just like a lightbulb cracking off when you throw the switch.

You see an absolutely brilliant film later, as an adult, and you walk out thinking about what to have for dinner. Whereas something like Jaws winds up having a huge effect on me. If only my parents had been taking me to Kurosawa films when I was eight, but no.

I have been accused of being a Pollyanna, but I think there are plenty of people dealing with the darker side of human nature, and if I am going to write about people who are kind and generous and loving and thoughtful, so what? In my life I have met astonishingly good people.

I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.

We are taught to be suspicious, especially of anyone who might not look like us or share our beliefs.

I believe that, more than anything else, this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can't write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.