All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent.

The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.

Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.

You noticed from last night, we only did two from the 80s. And our set's two hours long.

It was darn nigh impossible for women in rock in the 70s. There wasn't a mold if you were a woman and you were in the entertainment in the 70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.

Fleetwood Mac are more like a folk-rock band.

I'm a little bit more unusual so I consider myself as the black sheep.