What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?

Men in long-term relationships, we all know how they lose their mojo, they just completely fall apart. They feel like they're not even a man anymore, and they get kind of feminized and weird and they have this longing for this animal, brutal part of themselves to come back. Love does something to men.

Every time I get criticism from people, I learn from it and what to do the next time so there are fewer misconceptions. I'm continuing to be socialized as a woman, but also as a filmmaker.

When men create movies about femme fatales, it really is always about how that female can destroy that male. It's not really about what's happening on the interior of that female.

Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.

Heterosexual women who've had long-term relationships see their man fall apart. They go, "I'm giving him my whole life - I'm giving him my love, I'm cooking for him, he's got this great sex, he's got everything. Why is he so miserable all of a sudden? Why does he want to get away with his buddies and look at other girls? What is his problem?" It seems like something that happens to men, they feel like their manliness has been chipped away and destroyed by being with just one woman. They feel resentful and they're passive-aggressive.

The more that I see the sexism and misogyny that's coming at me from every direction, the less I think my films have anything to do with sexploitation.