Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
Anna BillerWhat I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
Anna BillerI base everything on my own life experiences as a female. I start from there, and then I look for characters and settings that I think are cinematic, where I can use symbols and imagery to tell a story.
Anna BillerEvery time I get criticism from people, I learn from it and what to do the next time so there are fewer misconceptions. I'm continuing to be socialized as a woman, but also as a filmmaker.
Anna BillerI see being a woman in the world as a social problem. That's very urgently problematic in terms of it still being a man's world, and women's identities still being shaped by the way men look at them, and the way men can control what kinds of opportunities they can get based on how desirable the men find them, or how compliant. I don't think that's really changed a lot.
Anna Biller