Thoughts and emotions which never perhaps were in the mind of the artist, never were anticipated, never were intended by him - may be strongly suggested by his work. This is an important part of the morals of art, which we must never lose sight of. Art is not only for pleasure and profit, but for good and for evil.

Never yet were the feelings and instincts of our nature violated with impunity; never yet was the voice of conscience silenced without retribution.

I do not like new things of any kind, not even a new gown, far less a new acquaintance, therefore make as few as possible; one can but have one's heart and hands full, and mine are. I have love and work enough to last me the rest of my life.

Out of the attempt to harmonize our actual life with our aspirations, our experience with our faith, we make poetry, - or, it may be, religion.

When we talk of leaving our childhood behind us, we might as well say that the river flowing onward to the sea had left the fountain behind.

A good taste in art feels the presence or the absence of merit; a just taste discriminates the degree--the poco piu and the poco meno. A good taste rejects faults; a just taste selects excellences. A good taste is often unconscious; a just taste is always conscious. A good taste may be lowered or spoilt; a just taste can only go on refining more and more.

Social opinion is like a sharp knife. There are foolish people who regard it only with terror, and dare not touch or meddle with it. There are more foolish people, who, in rashness or defiance, seize it by the blade, and get cut and mangled for their pains. And there are wise people, who grasp it discreetly and boldly by the handle, and use it to carve out their own purposes.