The truth is that when you're writing a novel you're really living in it; you're living in the house, and you're living in the town.

So I do think sometimes the political mechanism is completely disconnected from the people. However, what I will say is that history tells us that whenever things start to move too fast, whenever progress makes people feel a little breathless, one of the go-to spots that government, that the ruling powers that society goes to is to try to repress women.

My most pronounced writing habit is trying not to write.

There may perhaps be a new generation of doctors horrified by lacerations, infections, women who have douched with kitchen cleanser. What an irony it would be if fanatics continued to kill and yet it was the apathy and silence of the medical profession that most wounded the ability to provide what is, after all, a medical procedure.

I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.

part of the problem with a war on poverty today is that many Americans have decided that being poor is a character defect, not an economic condition.

What usually happens is that when I'm nearing the end of one novel a vague idea about what I want to do next begins to present itself to me in terms of theme. And I would say over about the next six to eight months, usually as I'm out power walking in the morning, or when I'm cooking at night, or when I'm driving in the car, the people who might embody those themes take on a sharper and sharper focus. And there comes this sort of critical mass moment when they actually start to do things in my head.