Being accused of making money by selling sex in Hollywood, home of the casting couch and the gratuitous nude scene, is so rich with irony that it's a better subject for a comic novel than a column.... On one coast the cops are busting sex workers on Eighth Avenue, dragging them downtown to night court where they pay the fine and go right back to their corner; on another they're charging Heidi Fleiss with pandering in a town in which the verb is an art form.
Anna QuindlenThe best thing about Sassy Seats is that grandmothers cannot figure out how they work and are in constant fear of the child's falling. This often makes them forget to comment on other aspects of the child's development, like why he is not yet talking or is still wearing diapers. Some grandmothers will spend an entire meal peering beneath the table and saying, "Is that thing steady?" rather than, "Have you had a doctor look at that left hand?
Anna QuindlenIt is so easy to waste our lives: our days, our hours, our minutes. It is so easy to take for granted the pale new growth on an evergreen, the sheen of the limestone on Fifth Avenue, the colour of our kids’ eyes, the way the melody in a symphony rises and falls and disappears and rises again. It is so easy to exist instead of live. Unless you know there is a clock ticking.
Anna QuindlenThe clearest explanation for the failure of any marriage is that the two people are incompatible; that is, that one is male and the other female.
Anna QuindlenIt is this that, finally, I will try to teach my sons about sex, after I've explained fertile periods and birth control and all the other mechanics that are important to understand but never really go to the heart of the matter: I believe I will say that when you sleep with someone you take off a lot more than your clothes.
Anna QuindlenI haven't seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were askedthis week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company's behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
Anna Quindlen