I grew up playing classical guitar, so everything I learned was rooted in technique, form, presentation.

I've learned after doing a couple records that if it feels good and it's easy, then that's usually a good sign. And that feeling sorta went with us to Nashville - everything was just natural.

Sweden is a small country. All cities seem small after a while. I was hanging out at a rehearsal hall in Williamsburg and I don't know how many people I ran into just being there for a couple days. Music makes all cities smaller.

For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.

When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.

I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.

I grew up playing classical guitar, so everything I learned was rooted in technique, form, presentation.