Who I am finally, if not the long silent part of someone, the secret and nocturnal part which has never betrayed itself in public by any thought, word, or deed, but communicates through subterranean depths of the imaginary with dreams as old as the world itself?

Finally a woman confesses! Confess what? What women never allowed themselves to confess. What men always criticized on them: they only obey the blood and everything is sex on them, even the spirit.

Lovers and mystics are familiar with this sense of grandeur, this taste of joy - in abandoning oneself to the will of others.

Keep me rather in this cage, and feed me sparingly, if you dare. Anything that brings me closer to illness and the edge of death makes me more faithful. It is only when you make me suffer that I feel safe and secure. You should never have agreed to be a god for me if you were afraid to assume the duties of a god, and we know that they are not as tender as all that. You have already seen me cry. Now you must learn to relish my tears.

O was infinitely more moving when her body was covered with marks, of whatever kind, if only because these marks made it impossible for her to cheat and immediately proclaimed, the moment they were seen, that anything went as far as she was concerned. For to know this was one thing, but to see the proof of it, and to see the proof constantly renewed, was quite another.

Woman ... is the divine object, violated, endlessly sacrificed yet always reborn, whose only joy, achieved through a subtle interplay of images, lies in contemplation of herself.

I wrote 'The story of O' alone, for Dominique Aury, to interest him, to please him, to occupy him. I wasn't young, nor particularly pretty. I needed something which might interest a man like him.