A man in love ... is the master, so it seems, but only if his lady friend permits it! The need to interchange the roles of slave and master for the sake of the relationship is never more clearly demonstrated than in the course of an affair. Never is the complicity between victim and executioner more essential. Even chained, down on her knees, begging for mercy, it is the woman, finally, who is in command ... the all powerful slave, dragging herself along the ground at her master's heels, is now really the god. The man is only her priest, living in fear and trembling of her displeasure.

You have to get past the pleasure stage, until you reach the stage of tears.

Debauchery conceived of as a kind of ascetic experience is not new, either for men or for women, but until Story of O no woman to my knowledge had said it.

Is O used by René and Sir Stephen, or does she in fact use them, and...all those irons and chains and obligatory debauchery, to fulfill her own dream-that is, her own destruction and death? And, in some surreptitious way, isn't she in charge of them? Doesn't she bend them to her will?

To love is to live on the precipice.

Woman ... is the divine object, violated, endlessly sacrificed yet always reborn, whose only joy, achieved through a subtle interplay of images, lies in contemplation of herself.

I found that stiffly saluting member, of which he was so proud, rather frightening, and to tell the truth I found his pride slightly comical. I thought that that must be embarrassing for him, and thought how much more pleasant it was to be a girl. That, by the way, is an opinion I still hold today.