I am blessed to live and work in [France,] a country where women filmmakers are by and large not unfairly treated. So I wouldn't have much to contribute regarding issues faced as a female director.

I don't necessarily agree with everything I read about my films, but I wouldn't highlight a specific misconception: If people think this or that about myself or my work, they must have their reasons.

I am blessed to live and work in [France,] a country where women filmmakers are by and large not unfairly treated. So I wouldn't have much to contribute regarding issues faced as a female director.

Making films is - or should be - a very personal experience. You shouldn't listen to anybody, other than the people you choose to listen to.

In spite of all the terrible things that happen in our world, hope can - and must - prevail.

The biggest challenge [for movie Agnus dei] - working in a foreign country with a predominantly Polish cast and crew - also proved to be the biggest blessing. Being surrounded by all this change , [both] culturally [and] linguistically, was a new and refreshing inspiration.

Hollywood is still the cradle of many myths, including the one of eternal youth. I find it odd that the very notion of desire, when applied to a woman over 40, is turned into a pathology or a mockery in a number of films. But Hollywood is not the only place to blame, by far. This is just a rendition, possibly magnified by the power of movies, of a general state of things, social, cultural and political.