If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.

I quit my last real job, as a writer at a magazine, when I was twenty-one. That was the moment when I lost my place of prestige on the fast track, and slowly, millimeter by millimeter, I started to get found, to discover who I had been born to be, instead of the impossibly small package, all tied up tightly in myself, that I had agreed to be.

I got a lot of things that society had promised would make me whole and fulfilled - all the things that the culture tells you from preschool on will quiet the throbbing anxiety inside you - stature, the respect of colleagues, maybe even a kind of low-grade fame.

In fact, not forgiving is like drinking rat poison and then waiting for the rat to die.

Write regularly, whether you feel like writing or not, and whether you think what you're writing is any good or not.

Sometimes Heaven is just a new pair of glasses.

Sometimes this human stuff is slimy and pathetic...but better to feel it and talk about it and walk through it than to spend a lifetime being silently poisoned.