I love readings and my readers, but the din of voices of the audience gives me stage fright, and the din of voices inside whisper that I am a fraud, and that the jig is up. Surely someone will rise up from the audience and say out loud that not only am I not funny and helpful, but I'm annoying, and a phony.

Never compare your insides to everyone else's outsides.

Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.

It was simple reality - most competitive tennis players in my day were privileged, spoiled, entitled and white. Also, many of them were beautiful, fit, tan and of good stock - great big hair and white teeth and long legs. Then there were the rest of us.

I do for myself exactly what I would do for you - make a lovely cup of tea, or a hot bath, or go buy myself a fabulous pair of socks. I believe that you take the action, and THEN the insight follows - I do loving things for me, stroke my own shoulder, put myself down for a short nap, and the insight follows: that I am a wild precious woman, a human merely being, as e e cummings put it, deserving of respect, tenderness, protection, delight, and solidarity. And that is what Home looks like for me now.

I don't have very sophisticated taste in music. I listen to a lot of folk music. I like reggae.

I naturally prefer the company of people who hold grudges, as long as they are not held against me.