I do know the sorrow of being ordinary, and that much of our life is spent doing the crazy mental arithmetic of how, at any given moment, we might improve, or at least disguise or present our defects and screw-ups in either more charming or more intimidating ways.

To be a good writer, you not only have to write a great deal but you have to care. You do not have to have a complicated moral philosophy. But a writer always tries, I think, to be a part of a solution, to understand a little about life and to pass this on.

If you are a writer, or want to be a writer, this is how you spend your days--listening, observing, storing things away, making your isolation pay off. You take home all you've taken in, all that you've overheard, and you turn it into gold. (Or at least you try.)

I like to read away as much of the afternoon as possible, until real life rears its ugly head.

I did not raise my son, Sam, to celebrate Mother's Day. I didn't want him to feel some obligation to buy me pricey lunches or flowers, some annual display of gratitude that you have to grit your teeth and endure.

I used to love to untangle chains when I was a child. I had thin, busy fingers, and I never gave up. Perhaps there was a psychiatric component to my concentration but like much of my psychic damage, this worked to everyone's advantage.

Here's how I became myself: mess, failure, mistakes, disappointments, and extensive reading; limbo, indecision, setbacks, addiction, public embarrassment, and endless conversations with my best women friends; the loss of people without whom I could not live, the loss of pets that left me reeling, dizzying betrayals but much greater loyalty, and overall, choosing as my motto William Blake's line that we are here to learn to endure the beams of love.