We want a sense that an important character, like a narrator, is reliable. We want to believe that a character is not playing ages or being coy or being manipulative, but is telling the truth to the best of his or her ability...We do not wish to be crudely manipulated...We want to be massaged by a masseur, not whapped by a carpet beater.

To be a good writer, you not only have to write a great deal but you have to care. You do not have to have a complicated moral philosophy. But a writer always tries, I think, to be a part of a solution, to understand a little about life and to pass this on.

Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper. What I’ve learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head.

These are pictures of the people in my family where we look like the most awkward and desperate folk you ever saw, poster children for the human condition.

And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, 'This is a nightmare. I hate everything. I’m going to go hide in the garage.'

They believe that if they do get published, a wonderful new life is in store. It will turn out that deep down they are really valuable people and will have lots of money from now on and really cool people like Ethan Hawke will be dropping by all the time. But it's a lie. Being a published writer will make them long to be ONLY as mentally ill as they are now. Their current level of obsession and doubt and self-loathing will look like the good old days. Honest.

We can't understand when we're pregnant, or when our siblings are expecting, how profound it is to have a shared history with a younger generation: blood, genes, humor. It means we were actually here, on Earth, for a time - like the Egyptians with their pyramids, only with children.