That's the trouble with the suburbs: it's not a city, so you're not anonymous, and it's not a small town, so that people really care about you, but everybody kind of knows each other's business, so you're very judged.

That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.

I suppose it's whether you want to be a famous person, or whether you want to be an actor. You have to decide what your priorities are. Great actor, huge star. Sometimes, the two walk hand in hand. Most of the time, they don't.

I am very lucky. I have known wonderful romantic love in my life but to actually see this little creature and find him to be the most beautiful creature in the world. I know all mothers and fathers feel that way.

I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent writing.

I just would like to keep going. If I kept getting the kind of work that I've been getting for the last 20 years for the next 20, I'd be a bloody Dame of the British Empire. I'd be so happy.

I think American drama is at its best when it takes the domestic and makes it epic, like a Greek tragedy in the front room.