... not only is life put in new patterns from the air, but it is somehow arrested, frozen into form. (The leaping hare is caught in a marble panel.) A glaze is put over life. There is no flaw, no crack in the surface; a still reservoir, no ripple on its face. Looking down from the air that morning, I felt that stillness rested like a light over the earth. The waterfalls seemed frozen solid; the tops of the trees were still; the river hardly stirred, a serpent gently moving under its shimmering skin.

One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.

Those fields of daisies we landed on, and dusty fields and desert stretches. Memories of many skies and earths beneath us - many days, many nights of stars.

And one perfect day can give clues for a more perfect life.

I should like to be a full-time Mother and a full-time Artist and a full-time Wife-Companion and also a 'Charming Woman' on the side! And to be aware and record it all. I cannot do it all. Something must go - several things probably. The 'charming woman' first!

The most exhausting thing you can do is to be inauthentic.

For happiness one needs security, but joy can spring like a flower even from the cliffs of despair.