... not only is life put in new patterns from the air, but it is somehow arrested, frozen into form. (The leaping hare is caught in a marble panel.) A glaze is put over life. There is no flaw, no crack in the surface; a still reservoir, no ripple on its face. Looking down from the air that morning, I felt that stillness rested like a light over the earth. The waterfalls seemed frozen solid; the tops of the trees were still; the river hardly stirred, a serpent gently moving under its shimmering skin.

Those fields of daisies we landed on, and dusty fields and desert stretches. Memories of many skies and earths beneath us - many days, many nights of stars.

This is what one thirsts for, I realize, after the smallness of the day, of work, of details, of intimacy - even of communication, one thirsts for the magnitude and universality of a night full of stars, pouring into one like a fresh tide.

Rivers perhaps are the only physical features of the world that are at their best from the air.

Yesterday I sat in a field of violets for a long time perfectly still, until I really sank into it - into the rhythm of the place, I mean - then when I got up to go home I couldn't walk quickly or evenly because I was still in time with the field.

People "died" all the time. . . . Parts of them died when they made the wrong kinds of decisions-decisions against life. Sometimes they died bit by bit until finally they were just living corpses walking around. If you were perceptive you could see it in their eyes; the fire had gone out. . . you always knew when you made a decision against life. The door clicked and you were safe inside-safe and dead.

It's funny how you can be mad at someone one moment and want to hug them the next.