... not only is life put in new patterns from the air, but it is somehow arrested, frozen into form. (The leaping hare is caught in a marble panel.) A glaze is put over life. There is no flaw, no crack in the surface; a still reservoir, no ripple on its face. Looking down from the air that morning, I felt that stillness rested like a light over the earth. The waterfalls seemed frozen solid; the tops of the trees were still; the river hardly stirred, a serpent gently moving under its shimmering skin.

Go with the pain, let it take you. Open your palms and your body to the pain. It comes in waves like the tide and you must be open as a vessel lying on the beach, letting it fill you up and then, retreating, leaving you empty and clear.

One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.

We tend not to choose the unknown, which might be a shock or a disappointment or simply a little difficult to cope with. An yet it is the unknown with all its disappointments and surprises that is the most enriching.

How hard it is to have the beautiful interdependence of marriage and yet be strong in oneself alone.

Only when a tree has fallen can you take the measure of it. It is the same with a man.

People talk about love as if it were something you could give, like an armful of flowers.