Go with the pain, let it take you. Open your palms and your body to the pain. It comes in waves like the tide and you must be open as a vessel lying on the beach, letting it fill you up and then, retreating, leaving you empty and clear.

What a crippling art writing is, no body to it, no craft, really. It's all in the mind and you never see it or feel it -- only sometimes hear it. It uses only such a small part of man. I wish I were a sculptor.

This is what one thirsts for, I realize, after the smallness of the day, of work, of details, of intimacy - even of communication, one thirsts for the magnitude and universality of a night full of stars, pouring into one like a fresh tide.

How hard it is to have the beautiful interdependence of marriage and yet be strong in oneself alone.

Forsythia is pure joy. There is not an ounce, not a glimmer of sadness or even knowledge in forsythia. Pure, undiluted, untouched joy.

I sometimes think that perhaps our minds are too weak to grasp joy or sorrow except in small things...In the big things joy and sorrow are just alike - overwhelming. At least, we only get them bit by bit, in tiny flashes - in waves - that our minds can't stand for very long. p 199

I am very fond of the oyster shell. It is humble and awkward and ugly. It is slate-colored and unsymmetrical. Its form is not primarily beautiful but functional. I make fun of its knobbiness. Sometimes I resent its burdens and excrescences. But its tireless adaptability and tenacity draw my astonished admiration and sometimes even my tears. And it is comfortable in its familiarity, its homeliness, like old garden gloves when have molded themselves perfectly to the shape of the hand. I do not like to put it down. I will not want to leave it.