We tend not to choose the unknown, which might be a shock or a disappointment or simply a little difficult to cope with. An yet it is the unknown with all its disappointments and surprises that is the most enriching.

I am very fond of the oyster shell. It is humble and awkward and ugly. It is slate-colored and unsymmetrical. Its form is not primarily beautiful but functional. I make fun of its knobbiness. Sometimes I resent its burdens and excrescences. But its tireless adaptability and tenacity draw my astonished admiration and sometimes even my tears. And it is comfortable in its familiarity, its homeliness, like old garden gloves when have molded themselves perfectly to the shape of the hand. I do not like to put it down. I will not want to leave it.

It is not restful, it is not possible to talk wholeheartedly to more than one person at a time. You can't really talk with a person unless you surrender to them, for the moment (all other talk is futile). You can't surrender to more than one person a moment.

Everything today has been heavy and brown. Bring me a Unicorn to ride about the town.

I had the feeling . . . that my experience was very different from other people’s. (Are we all under this illusion?)

It was a magic caused by the collision of modern methods and old ones; modern history and ancient; accessibility and isolation. And it was a magic which could only strike spark about that time. A few years earlier, from the point of view of aircraft alone, it would have been impossible to reach these places; a few later, and there will be no such isolation.

Him that I love, I wish to be free -- even from me.