And my heart beat faster for the mountains of eastern Europe, finally, beat faster for the one hope that somewhere we might find in that primitive countryside the answer to why under God this suffering was allowed to exist - why under God it was allowed to begin, and how under God it might be ended. I had not the courage to end it, I knew, without that answer.

All my life,I've been afraid of things, as a child and a woman must be. I lied about it naturally. I fancied myself a witch and walked in dark streets to punish myself for my doubts. But I knew what it meant to be afraid.

But all morality is of necessity shaped by context. I'm not talking relativism, no. To ignore the context of a decision is in fact immoral.

Oh, but when love is reached through suffering, it has a power it can never gain through innocence.

I don't know why one author writes westerns while another writes detective novels. You don't know why. You go where the intensity is. I feel most comfortable writing about monsters. It's possible that I feel like a monster myself. Or maybe it's because we all have a monster inside of us, a vampire, a ghost, a witch or a werewolf. You do it because it works and it feels really right and authentic.

I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn't work out.

I was in the black silence of a medieval street, and blindly I followed its sharp turns, comforted by the height of its narrow tenements, which seemed at any moment capable of falling together, closing this alleyway under indifferent stars like a seam.