…being an atheist required discipline very like that of being Catholic. One could never yield to the idea of a supernatural authority, no matter how often one might be tempted. To think that a personal God had made the world was to yield to a demonic and superstitious and destructive belief.

And I realized that I’d tolerated him this long because of self-doubt.

Lestat: I despise you! I ought to destroy you-finish what I started when I made you. Turn you into ashes and sift them through my hands. You know that I could do it! Like that! Like the snap of mortal fingers, I could do it. Burn you as I burnt your little house. And nothing could save you, nothing at all.

Yes. To write a novel is to risk my sanity. The deeper I get into the suffering and conflict of the characters, into the very situations and thoughts and feelings that make the novel worthwhile, the worse I feel, and the more likely I am to be severely depressed when the book is finished. There is no avoiding this: it is the result of attempting to tell all you know, to reach for the stars, to write what matters.

That morning I was not yet a vampire, and I saw my last sunrise. I remember it completely, and yet I can't recall any sunrise before it. I watched the whole magnificence of the dawn for the last time as if it were the first. And then I said farewell to sunlight, and set out to become what I became.

I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.

Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. Only if you do that can you hope to make the reader feel every particle of what you, the writer, have known and feel compelled to share."---Forward to Kafka's Short stories