Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a very dangerous enemy indeed.

It's an awful truth that suffering can deepen us, give a greater lustre to our colours, a richer resonance to our words. That is, if it doesn't destroy us, if it doesn't burn away the optimism and the spirit, the capacity for visions, and the respect for simple yet indispensable things.

when we are weary, we speak lovingly of dreams as if they embodied our true deisres-What we WOULD have when that which we DO have so sorely disappoints us

But during all these years I had a vague but persistent desire to return to New Orleans. I never forgot New Orleans. And when we were in tropical places and places of those flowers and trees that grow in Louisiana, I would think of it acutely and I would feel for my home the only glimmer of desire I felt for anything outside my endless pursuit of art.

Yes. To write a novel is to risk my sanity. The deeper I get into the suffering and conflict of the characters, into the very situations and thoughts and feelings that make the novel worthwhile, the worse I feel, and the more likely I am to be severely depressed when the book is finished. There is no avoiding this: it is the result of attempting to tell all you know, to reach for the stars, to write what matters.

I knelt and prayed, and the strongest truth came over me. Didn't matter if God in his heaven was a Catholic or a Protestant God, or the God of the Hindus. What mattered was something deeper and older and more powerful than any such image - it was a concept of goodness based upon the affirmation of life, the turning away from destruction, from the perverse, from man using and abusing man. It was the affirmation of the human and the natural.

Re-telling the Christian story is the essence of my vocation. That has been going on since the Evangelists in one form or another.