It is hard to hold on to friendships when people move away to another state or to another world.

Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.

If I were planning to be stranded on a desert island, I wouldn't take Freud's books with me, because I've already read them all.

I think it is a good thing to have woman friends at every stage of life. We confide in each other, we support each other, we understand each other most of the time. Of course, sometimes we are competitive or angry or distant, too. But I do think it is important not to let the main friendships slip away in the sweep of the days.

You can be creative and not addictive, or addictive and not creative. Most addicted people do not produce anything of remarkable note.

You have to have a certain kind of thickening of the hide. I mean, I'm not particularly worried about what other people think. If other people think that I was not the world's most perfect mother, they are completely right.

However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.