Our mythology tells us so much about fathers and sons. ... What do we know about mothers and daughters? ... Our power is so oblique, so hidden, so ethereal a matter, that we rarely struggle with our daughters over actual kingdoms or corporate shares. On the other hand, our attractiveness dries as theirs blooms, our journey shortens just as theirs begins. We too must be afraid and awed and amazed that we cannot live forever and that our replacements are eager for their turn, indifferent to our wishes, ready to leave us behind.

I know that family life in America is a minefield, an economic trap for women, a study in disappointment for both sexes.

They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.

Sometimes what we call love is just a settling of old scores, or a seeking of forbidden pain, or a circuitous path to the kingdom of cruelty, or she may simply have confused lack of capital with heroism while searching for rescue without knowing from what.

Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.

You can be creative and not addictive, or addictive and not creative. Most addicted people do not produce anything of remarkable note.

There is cruelty in divorce. There is cruelty in forced or unfortunate marriage. We will continue to cry at weddings because we know how bittersweet, how fragile is the truth. We will always need legal divorce just as an emergency escape hatch is crucial in every submarine. No sense, however, in denying that after every divorce someone will be running like a cat, tin cans tied to its tail: spooked and slowed down.