Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.

In woods where the woodsmen told lies, maybe it was the wolves who told the truth.

A boy got a splinter in his eye, and his heart turned cold. Only two people noticed. One was a witch, and she took him for her own. The other was his best friend. And she went after him in ill-considered shoes, brave and completely unprepared.

It snowed right before Jack stopped talking to Hazel, fluffy white flakes big enough to show their crystal architecture, like perfect geometric poems.

The halls were empty. Charlotte had missed the first bell and would be late, again. Her homeroom teacher would ask her for an excuse and she would say, 'Overwhelming feeling of dread.' That was going to go over nicely.

But if you were Charlotte, and you had been feeling that life was some cosmic joke that had no punchline, and in the space of a moment you had gone from being Charlotte-without-a-kitten to being Charlotte-with-a-kitten, you too would have found it nothing short of remarkable.

Fiercely original and uncommonly lovely, The Witch's Boy is equal parts enchanting and haunting. Kelly Barnhill is master of truly potent and unruly magic; luckily for readers, she chooses to use her powers for good.