Fiercely original and uncommonly lovely, The Witch's Boy is equal parts enchanting and haunting. Kelly Barnhill is master of truly potent and unruly magic; luckily for readers, she chooses to use her powers for good.

The halls were empty. Charlotte had missed the first bell and would be late, again. Her homeroom teacher would ask her for an excuse and she would say, 'Overwhelming feeling of dread.' That was going to go over nicely.

She'd read once that if you ran into a bear in the woods you should avoid eye contact and you shouldn't run away, but all she knew about wolves is that you should never tell them how to find your grandmother's house.

Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.

People feared snowstorms once. Hazel read about this all the time. Pioneers opened their front doors and saw they'd been entombed in snow overnight. They walked across malevolent swirling whiteness and did not know if they would survive. Nature can destroy us in a blink. We live on only at its pleasure. That was what looking at the witch was like.

Kids can handle a lot more than you think they can. It's when they get to be grown up that you have to start worrying.

She understood. They were plastic flowers of words—but they looked nice on the surface.