I never take a picture of a face because a face is somebody, an arm is not recognizable as somebody. When you take a photograph of someone's face, it identifies it as somebody, but if you take just a fragment, it's everybody. It's not one person.

[Love] can be found in making little dresses for stuffed birds, or in a garden of tenderness like I have done - mixing writing, photography, and real spaces. There are all kinds of acts of love.

Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself.

I never take a picture of a face because a face is somebody, an arm is not recognizable as somebody. When you take a photograph of someone's face, it identifies it as somebody, but if you take just a fragment, it's everybody. It's not one person.

At first, I felt proud when someone said 'Your work looks like a man did it.' Then I realized that was stupid

I can see today that the same sort of issues lie behind taxidermy and photography. Taxidermy consists in preserving a bird in full flight... In the same way, photography halts and freezes motion and life.

[My work] includes something about death, and about love, because the photos always have something to do with death. The photograph is like taxidermy. It is like the animals I use. They are posed in order to appear to be alive, but they are dead. Their time has passed. The photos have to do with time and loss, and conclusion.