Film can express things that computers never will. Film is a series of photographs separated by split seconds of darkness. Film is light and shadow.

There are certain early plays of mine that I really don't like, but I can't imagine going back and fixing them. I would be totally incapable of it. I'm not in the head of the characters anymore.

For me, on every project, I realize that I've boxed myself into a corner, or that the play necessitates some sort of theatrical convention that I realize I hate while I'm making it. So then the next play is always a rebellion. Or like, the thing I didn't even realize I was doing last time I will make sure I don't do this time. But there's always some other blind spot. And then that blind spot inspires the play that comes after.

I'm terrible at speaking extemporaneously about my work - I get completely tongue-tied and consumed with fear.

I'm very interested in silence. And, more importantly, in what happens when people aren't talking on stage. I'm interested in letting actors play and do things between the lines. And in slowing everything down.

I think growing up in a small town, the kind of people I met in my small town, they still haunt me. I find myself writing about them over and over again.

I feel like my life is at its happiest when I don't have a looming deadline. There's some really groovy wonderful times, when I'm like, "I have a new piece, I'm excited about it, I'm reading all these books about it, but there's not a lot of time pressure, and I'm financially stable enough right now that I don't have to be trying to get another job." But that's so rare.