You are wrong if you think that you can in any way take the vision and tame it... The vision is not so much destroyed, exactly, as it is, by the time you have finished, forgotten. It has been replaced by this changeling.

Who and of what import were the men whose bones bulk the Great Wall, the thirty million Mao starved, or the thirty million children not yet five who die each year now? Why, they are the insignificant others, of course; living or dead, they are just some of the plentiful others...And you? To what end were we billions of oddballs born?

Time is the warp and matter the weft of the woven texture of beauty in space, and death is the hurling shuttle.

A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, "Simba!

Write about winter in the summer.

It is difficult to undo our own damage, and to recall to our presence that which we have asked to leave.

When I walk with a camera, I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment's light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer.