I breathed the air of history all unaware, and walked oblivious through its littered layers.

Unfortunately, nature is very much a now-you-see-it, now-you-don't affair. A fish flashes, then dissolves in the water before my eyes like so much salt. Deer apparently ascend bodily into heaven; the brightest oriole fades into leaves.

You empty yourself and wait, listening. After a time you hear it: There is nothing there...You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: This hum is the silence.

How you spend your days is how you spend your life.

The sense impressions of one-celled animals are not edited for the brain. This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is.

What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.

The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less.