Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered?

When you write, you lay out a line of words. The line of words is a miner's pick, a wood carver's gouge, a surgeon's probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.

I wake up thinking: What am I reading? What will I read next? I'm terrified that I'll run out, that I will read through all I want to, and be forced to learn wildflowers at last, to keep awake.

It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale.

The world knew you before you knew the world.

Writers serve as the memory of a people. They chew over our public past.

We live half our waking lives and all of our sleeping lives in some private, useless, and insensible waters we never mention or recall.