Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered?

The soul may ask God for anything, and never fail.

Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can't think about them. I live with trees.

[Insects] are not only cold-blooded, and green- and yellow-blooded, but are also cased in a clacking horn. They have rigid eyes and brains strung down their backs. But they make up the bulk of our comrades-at-life, so I look to them for a glimmer of companionship.

The world is wider in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain and Lazarus.

The novel is a game or joke shared between author and reader.

If even rock was interesting, if even this ugliness was worth whole shelves at the library, required sophisticated tools to study, and inspired grown men to crack mountains and saw crystals--then what wasn't?