Every day is a god, each day is a god, and holiness holds forth in time.

Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles.

Novels written with film contracts in mind have a faint but unmistakable, and ruinous, odor.

The mind itself is an art object. It is a Mondrian canvas onto whose homemade grids it fits its own preselected products. Our knowledge is contextual and only contextual. Ordering and invention coincide: we call their collaboration knowledge.

An Inuit hunter asked the local missionary priest: If I did not know about God and sin, would I go to hell? No, said the priest, not if you did not know. Then why, asked the Inuit earnestly, did you tell me?

There is neither a proportional relationship, nor an inverse one, between a writer’s estimation of a work in progress & its actual quality. The feeling that the work is magnificent, & the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged.

Possibly everyone now dead considered his own death as a freak accident, a mistake. Some bad luck caused it. Every enterprising man jack of them, and every sunlit vigorous woman and child, too, who had seemed so alive and pleased, was cold as a meat hook, and new chattering people trampled their bones unregarding, and rubbed their hands together and got to work improving their prospects till their own feet slipped and they went under themselves ... Every place was a tilting edge.