A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, "Simba!
Annie DillardOn plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away.
Annie DillardWe live in all we seek. The hidden shows up in too-plain sight. It lives captive on the face of the obvious - the people, events, and things of the day - to which we as sophisticated children have long since become oblivious. What a hideout: Holiness lies spread and borne over the surface of time and stuff like color.
Annie DillardWhen you open a book,โ the sentimental library posters said, โanything can happen.โ This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyoneโs way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.
Annie DillardWriting a book is like rearing children -- willpower has very little to do with it. If you have a little baby crying in the middle of the night, and if you depend only on willpower to get you out of bed to feed the baby, that baby will starve. You do it out of love.
Annie Dillard