Your freedom as a writer is not freedom of expression in the sense of wild blurting; you may not let rip. It is life at its most free, if you are fortunate enough to be able to try it, because you select your materials, invent your task, and pace yourself.

The creatures I seek do not want to be seen.

Skin was earth; it was soil. I could see, even on my own skin, the joined trapezoids of dust specks God had wetted and stuck with his spit the morning he made Adam from dirt. Now, all these generations later, we people could still see on our skin the inherited prints of the dust specks of Eden.

It should surprise no one that the life of the writer - such as it is - is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world.

Write as if you are dying.

I have since only rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment when the mountains open and a new light roars in spate through the crack, and the mountains slam.

The mind itself is an art object. It is a Mondrian canvas onto whose homemade grids it fits its own preselected products. Our knowledge is contextual and only contextual. Ordering and invention coincide: we call their collaboration knowledge.