Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?

On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away.

You empty yourself and wait, listening. After a time you hear it: There is nothing there...You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: This hum is the silence.

About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star.

How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living.

Divinity is not playful. The universe was not made in jest but in solemn incomprehensibl e earnest. By a power that is unfathomably secret, and holy, and fleet. There is nothing to be done about it, but ignore it, or see.

You do what you do out of your private love of the thing itself.