There's always something extremely personal in the songs, but I may change the point of view from what I actually experienced.

I just think that the question of women in rock or women playing guitar, I just think it's such a non-issue, and I think that probably the sooner critics and press outlets can just erase the 'what's it like being a women in rock?' question from their vocabulary, the better off everyone will be.

I was a lusty kid who loved Tennessee Williams. Sexy plays. [For musicians] there are so many that it's hard just to say one. Certain things, like the first time you hear A Love Supreme, you're floored. It takes whatever you were listening to and blows a hole in it.

I had brief glimpses of emotional catharsis while writing. I remember reading something Philip Roth wrote about how he writes every single day, but it's almost as if he has amnesia every morning - he has almost zero confidence that anything will come but he just sits down and plugs away. And at the end of the day it feels like a miracle: "How did I do that?" I had a similar experience where it was just about putting in the hours and being present.

I wouldn't say I'm a very technical [guitar] player. I'm more intuitive - it's always more about chasing an abstraction.

All these things that we are very nostalgic for come from a place of technology dictating [art]. This time and place is no different.

The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.