I was like the roadie, I was carrying gear, checking things in at airports, making sure they had flowers backstage and interfacing with promoters who were sometimes really nice and sometimes a little seedy. It was a great apprenticeship, to be in the music industry.

Putting your ego aside and confronting your weaknesses and just letting things happen is hard. Not to use a Scientology term, but it's difficult to do an emotional or an artistic audit.

I just think that the question of women in rock or women playing guitar, I just think it's such a non-issue, and I think that probably the sooner critics and press outlets can just erase the 'what's it like being a women in rock?' question from their vocabulary, the better off everyone will be.

I'm first and foremost a guitar player. I've been playing since I was 12, which is over half of my life.

The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.

For a brief moment, I considered deconstructing the song and going down a cerebral road, but then I realized it would kill what is most powerful about it.

I'm a bit of a vagabond - a person who loses time and space because you don't know where you are.