It's pretty amazing, someone having that kind of charisma - and it still happens in micro and macro forms - to convince a whole gaggle of people to kill themselves. Or put on robes and jump up and down. That takes a very charismatic leader.

I got offstage and was just looking at my hands, and they were shaking. I was like, 'I wanna kill someone! What's happening?'

An mp3 is a compressed form of data. It's not the full spectrum. It's never going to sound as good as a record. I think one thing people forget is that every technological advance we fetishize had its place in time. CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression. Side one and side two? That's a product of vinyl. But that's not necessarily dramatic form - you could argue that that was three acts.

I like to deal with my dark side in a creative way, and just sing about killing people instead of actually doing it.

I was like the roadie, I was carrying gear, checking things in at airports, making sure they had flowers backstage and interfacing with promoters who were sometimes really nice and sometimes a little seedy. It was a great apprenticeship, to be in the music industry.

I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.

Putting your ego aside and confronting your weaknesses and just letting things happen is hard. Not to use a Scientology term, but it's difficult to do an emotional or an artistic audit.