In this day and age of things moving so, so fast, we still long for things to stop, and we as a society love the still image. Every time there is some terrible or great moment, we remember the stills.

What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.

Things happen in front of you. That's perhaps the most wonderful and mysterious aspect of photography.

I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.

Photography is not something you retire from.

I love having the photograph in my hand. I love looking at the photograph. I love looking at a box of photographs. I just love the still photograph.

A very subtle difference can make the picture or not.