I've always cared more about taking pictures than about the art market.

I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.

I fight to take a good photograph every single time.

I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.

I don't think there is anything wrong with white space. I don't think it's a problem to have a blank wall.

All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.

A very subtle difference can make the picture or not.