If it makes you cry, it goes in the show.
I fight to take a good photograph every single time.
I feel very proud of the work from the '80s because it is very bright and colorful.
It's hard to watch something go on and be talking at the same time.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
If I didn't have my camera to remind me constantly, I am here to do this, I would eventually have slipped away, I think. I would have forgotten my reason to exist.