When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.

All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.

I still need the camera because it is the only reason anyone is talking to me.

What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.

It's hard to watch something go on and be talking at the same time.

When you involve people, they come out, you see them, you get to see their sense of humor.

Coming tight was boring to me, just the face... it didn't have enough information.