A lot can be told from what happens in between the main moments.

There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them.

The pictures of my family were designed to be on a family wall, they were supposed to be together. It was supposed to copy my mother's wall in her house.

Nature is so powerful, so strong. It takes you to a place within yourself.

My hope is that we continue to nurture the places that we love, but that we also look outside our immediate worlds.

What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.

When I started to be published I thought about Margaret Bourke-White and the whole journalistic approach to things. I believed I was supposed to catch life going by me - that I wasn't to alter it or tamper with it - that I was just to watch what was going on and report it as best I could. This shoot with John was different. I got involved, and I realized that you can't help but be touched by what goes on in front of you. I no longer believe that there is such a thing as objectivity.