To be human is to have a whole spectrum of these experiences that arise within us.

I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.

My first understanding of HIV and AIDS was like everybody else from my generation. In the mid-'80s, we heard about this, and it was terrifying, because we knew nothing about how to respond to it appropriately, and we didn't really understand about how the virus is passed. There was a lot of misconception about that.

I can't understand why the front pages of newspapers can cover bird flu and swine flu and everybody is up in arms about that and we still haven't really woken up to the fact that so many women in sub-Saharan Africa - 60 percent of people in - infected with HIV are women.

As a creative person, you just put something out into the consciousness of the society you live in.

We would like to see the virtual elimination of the transmission of [HIV] from mother to child by 2015. ... We believe it can be achieved with political will.

I didn't want to be perceived as a girly girl on stage.