The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.

When things are starting to work, you get up at five in the morning thinking, what are we going to do today? You stay up until one in the morning getting it done, and then you start the next day with the same energy, because it's working!

You wouldn't find a Joni Mitchell on 'X Factor;' that's not the place. 'X Factor' is a specific thing for people that want to go through that process - it's a factory, you know, and it's owned and stitched-up by puppet masters.

The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.

I identify with other women because of my gender, and I identify with other women if they are mothers because I'm a mother, too. It's very simple. It's nothing complicated, it's not rocket science. It's about empathy. It's about understanding that what happens with one person is potentially what happens to you, and seeing yourself in someone else's shoes. Fundamentally, we are all in the same place: we're born, we live, and we're going to die. In between, we'll have joy and we'll have sadness.

To be human is to have a whole spectrum of these experiences that arise within us.

I understand what it is for a woman to want to protect their children and give them the best they can.