There's good stuff and bad stuff, but you continue on. I'm not prescriptive - I cannot tell anyone else what to do with their lives, and I'm a deeply flawed individual - but this is it. We're all just living it and... bless us all.

I love to make music and stay grounded.

We're not interested to know the real heroes. We're really more interested in the villains, actually, and they seem to thrive, and it continues to be business as usual.

The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.

There's good stuff and bad stuff, but you continue on. I'm not prescriptive - I cannot tell anyone else what to do with their lives, and I'm a deeply flawed individual - but this is it. We're all just living it and... bless us all.

Each individual is as individual as their fingerprints, and I think that's extraordinary.

There's so much stigma around HIV/AIDS. It's a challenging issue, and the people that already have been tested and know their status find it very, very hard to disclose their status, to live with that virus, and to even seek out the kind of information they need. This experience of going to South Africa a decade ago really woke me up to the scale of the HIV/AIDS pandemic in sub-Saharan Africa, how it was affecting women and their children. I haven't been able to walk away from it.