The contrast of the world that we live in and the world that is here in Aspen and the world inhabited by women who have no resources, little or no, very few resources - huge disparity.

If you do nothing, if a mother doesn't come for care, if she breastfeeds her baby, the chances of the baby getting HIV are about 40%. So it's about the difference between 40% and zero. This is almost totally preventable. But it requires mothers coming for care and getting the medicines they need, and getting the education and support they need.

Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.

In a sense, the music business and I haven't always been the best of bedfellows. Artists often have to fight their corner. Your music goes through these filters of record labels and media, and you're hoping you'll find someone who'll help you get your work into the world.

I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.

HIV/AIDS has no boundaries.

Fundamentally, we are all in the same place: we're born, we live, and we're going to die. In between, we'll have joy and we'll have sadness.